Open to interpretation

I used to teach acting at a community college. The department where I taught was called “visual and performing arts.” The performing arts were vocal and instrumental music, dance, and theater.

While “performing arts” is no doubt an accurate description of what happens when the artist is in front of an audience, I prefer to think of them as “interpretive arts.” I like that term because music and theater performances require a two-step creative process. This is different from photography, illustration, painting, sculpture, and other visual arts, which involve a single artist producing a finished work based on a concept or idea they have devised themselves. There’s seldom a team involved in creating a work of visual art.

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No rules. Just create.

I came across this post by independent playwright David Rush today. He describes how the “rules” he’d been taught about playwriting turned out to be more of an obstacle than a help, so he finally starting “drifting” as he wrote, trusting his instincts and inspiration as he writes.

I followed the rules carefully, outlining and filling in and making charts and graphs. And so forth. It would take me, on the average, several months to actually chart all this stuff out. […] My imagination ran riot and I invented all sorts of wonderful stuff. Interesting characters, bold adventures, climactic scenes. […] And then I sat down to write. And it all dried up.

no_rulesI think the “rules” of acting can have a similar effect of stifling the freedom to create a full, vibrant character. I’ve worked with many actors who are trying to “follow the rules” they were taught in acting school or college. But art isn’t about rules, but about creation. I’ve pointed out before that there are as many “styles” of acting as there are actors. We need to be free to create in our own ways. Ultimately, the deadlines of a production do dictate that certain “rules” be followed: learn your lines being the most important, of course. But within the rehearsal process, we need to create an environment where the freedom to try anything, to break rules, and to create in our own way, is respected.

I have never gone back to the old method of charting and graphing and filling in the spaces. I have continued to write without a road map. I continue to drift. And playwriting continues to be fun, as each new writing day is always a surprise and an adventure. To be honest, sometimes it doesn’t work and I drift until I sink. But when it does work, it’s great.

Indeed.

Read David’s complete post at independentplaywrights.com.